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Welcome to the CartoonStock Blog

Here you’ll find insights from Bob Mankoff, former New Yorker Cartoon Editor, educational resources to help you use humor, our very own Cartoon Caption Contest, and plenty of cartoons. Sign up for cartoons & offers straight to your inbox and never miss a laugh!


Expert Guides & Insights

Cartoon History

Historic single-panel cartoon from The New Yorker, 1930s

The Evolution of Cartoon Art: How Styles Have Changed Over Time

Learn More About The History of Cartoons

Psychology Behind the Humor

Cartoon by Will Dawbarn. A man posting a letter with "delicately crafted satire please handle with care" written

Psychology of Satire

View all Posts

Have Something Specific in Mind?

Cartoon by Joe Dator

Best Tech Cartoons and How to Use Them

Find Cartoons for Your Industry


Special Features



Bob’s Cartoon Lounge

Send Help

Send Help! A Collection of Marooned Cartoons

View All of Bob Mankoff's Hilarious Insights

Caption Contest Commentary

“Making Hay” Caption Contest Commentary with Lawrence Wood

View Previous Competitions

Anatomy of a Cartoon

literary cartoons

Anatomy of a Cartoon: Literary Classics

More From Phil Witte and Rex Hesner


Caption Contest

CartoonStock Caption Contest

The New Cash-Prize Caption Contest.

So you think you're funny? We do, too!! Each month we're offering a cash prize of $1,000, $500 to first place and 5 runners-up prizes of $100 each. What's the catch, you ask? Well, you have to pay $5 to play. But with a chance at up to 500 smackeroos, it's well worth it!


ENTER NOW

View previous winners

Recent Posts

Hanukkah cartoons

Have I Got a Joke for You!

November 30, 2020 by Bob Mankoff

I’ve been a cartoonist for more than forty years and a Jew my whole life. Truth be told, I observe Judaism from afar. Religion’s not my thing. Humor is, and, in that respect, being Jewish is definitely a plus. You don’t have to be Jewish to be funny, but, hey, it doesn’t hurt. Although I…
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“Office Ventriloquists” Caption Contest Commentary with Lawrence Wood

November 24, 2020 by Lawrence Wood

Robert Leighton’s cartoon is set in an office, where all but one of the employees is carrying his or her own ventriloquist’s dummy. One of these employees is saying something to a co-worker who does not have a dummy. I first thought about ventriloquists who use their dummies to make insulting or vulgar comments, a…
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“Pilloried Octopus” Caption Contest Commentary with Lawrence Wood

November 17, 2020 by Lawrence Wood

Brooke Bourgeois’s cartoon is set under the sea, where a disgruntled octopus has been put in a pillory with nine holes, one for each of his eight tentacles and one for his head. Swimming around the octopus are several fish, one of whom, in the lower-left corner of the drawing, is speaking. Here’s a pun…
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“Lyft Stork” Caption Contest Commentary with Lawrence Wood

November 10, 2020 by Lawrence Wood

In Evan Lian’s cartoon, two storks are making their deliveries. One is carrying a baby. The other has a pink mustache—a reference to the ride-sharing service Lyft—and carries a young man with a backpack on his lap. The stork with the mustache is speaking. This cartoon has three frames of reference: baby-delivering storks, the young…
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fairytale cartoons

Anatomy of a Cartoon: Fairy Tales

November 6, 2020 by Phil Witte and Rex Hesner

Cartoon critics Phil Witte and Rex Hesner look behind the gags to debate what makes a cartoon tick. This week our intrepid critics take a look at fairy tale cartoons. We first hear fairy tales at an impressionable age, usually before we can read. The characters and their magical stories are part of our collective…
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“Terrifying Election” Caption Contest Commentary with Lawrence Wood

November 3, 2020 by Lawrence Wood

Bob Eckstein’s cartoon has three distinct frames of reference — Halloween, the election, and the pandemic. Addressing all three is a challenge. The woman who’s next in line for the voting booth is speaking. She’s also pointing with her left index finger, but at what? The skeleton? The man in the voting booth? Or is…
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