The History & Art of Cartoons: A Visual Language Through Time Tracing the history of cartoons reveals not just an art form but a powerful visual language that has shaped culture, politics, and social discourse for centuries. From satirical etchings to digital webcomics, cartoons have evolved dramatically while maintaining their unique ability to communicate complex…
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Caption Contest Commentary
“No Rest for the Wicked” Caption Contest Commentary with Lawrence Wood
The New Cash-Prize Caption Contest.
So you think you're funny? We do, too!! Each month we're offering a cash prize of $1,000, $500 to first place and 5 runners-up prizes of $100 each. What's the catch, you ask? Well, you have to pay $5 to play. But with a chance at up to 500 smackeroos, it's well worth it!
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Recent Posts
The History & Art of Cartoons: A Visual Language Through Time
Using Cartoons in Presentations & Corporate Communication
Using Cartoons in Presentations and Corporate Communication In a world of endless presentations and corporate messaging, standing out is a challenge. Attention spans are shrinking, and the typical business slide deck loaded with bullet points and charts rarely excites. That’s why more professionals are turning to a surprisingly effective solution: using cartoons in presentations and…
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CartoonStock Artist Spotlights: Explore the Signature Styles of Featured Cartoonists
CartoonStock Artist Spotlights: Signature Styles That Make Us Smile Introduction Welcome to CartoonStock Artist Spotlights, a series that highlights the incredible talent within our cartoon collection. At CartoonStock, we’re proud to showcase cartoonists whose work spans decades, genres, and humor styles. This feature introduces a selection of featured artists whose signature styles and creative voices…
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“No Rest for the Wicked” Caption Contest Commentary with Lawrence Wood
Last month’s contest featured a drawing by New Yorker cartoonist Sofia Warren, who unfortunately couldn’t join our judging panel but did review all the entries and send us her top ten. Sofia’s drawing is set in a bedroom, where a woman is in bed and on her smart phone. Under her bed is a monster,…
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International Cartoon Licensing: A Complete Guide for Artists Worldwide
Breaking Down Geographic Barriers For decades, cartoon licensing was limited by geography. If you weren’t based near major publishing markets or didn’t have established industry connections, breaking into commercial licensing seemed nearly impossible. International cartoonists faced additional hurdles: language barriers, currency complications, unfamiliar copyright laws, and no clear path to reach buyers across borders. However,…
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Licensing as a Long-Term Strategy for International Cartoonists
The Catalog Advantage Cartoon licensing works as a long-term distribution strategy because your work doesn’t expire. Once cartoons are accepted into a licensing platform, they remain searchable and available indefinitely. This creates advantages that other income streams don’t offer. Commissions end when delivered, cartoons available for licensing continue generating opportunities indefinitely. On platforms like CartoonStock,…
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Preparing Your Cartoons for International Licensing Submission
Getting Work Ready for Submission Once you understand how licensing works and how royalties accumulate, the practical question becomes: what needs to be ready before submitting? The answer involves understanding what makes cartoons licensing-ready—whether you’re working with evergreen ideas or topical editorial work. Part of our comprehensive guide: International Cartoon Licensing: A Complete Guide for…
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Copyright Protection for International Cartoon Artists
The Ownership Question Copyright is often the biggest source of anxiety for international cartoonists considering licensing. What rights do you keep? What rights are you giving away? And how does copyright work once your cartoons are used across borders? The core answer is straightforward: you retain copyright. Licensing grants permission for specific uses—it doesn’t transfer…
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“Bigfoot and Reporters” Caption Contest Commentary with Lawrence Wood
Cartoonist Bill Whitehead helped judge last month’s contest, which featured his drawing of a creature who looks like Bigfoot talking to a group of reporters, one of whom has a camera, in the woods. The creature’s nose is unusually large and he looks weary, as though he’s tired of the reporters’ questions. Bill’s original caption…
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